作曲家需要能把声音作为环境来创作、保存与重现的乐器

来源证据

一位作曲家表示，自己越来越关注音乐、声学、感知与空间的交汇处，但大多数工具要么制作音乐、要么测量声音，他想要一个介于两者之间、可以体验、创作、保存、重现并最终检查声音环境的乐器。

IFAH started with a question: what happens if we stop treating sound only as content, songs, tracks, files and start treating it as an environment we can deliberately compose? As a composer, I became increasingly interested in what exists between music, acoustics, perception and the spaces we inhabit. But most tools are designed either to produce music or to measure sound. I wanted an instrument for the territory in between: something you can experience first, compose with, preserve, reproduce